All(Works)


Graphic(Works)

ARTT Grad Show 2026 Key Visual Design
Out Of The Curve-Poster Design
Silence feels strange.
Logo Design
Melting Point- Typeface Design
PAUSE-Magazine Layout Design
 Booklet Cover Design
Bad by So!YoON!- MV remade




About Me


Yeung Paak Yiu
Yoyo



Yoyo is a 3D and 2D graphic designer who is keen to explore the intersection of 2D design, 3D modeling and dynamic graphics. Her practice covers graphic design, 3D modeling and motion composition, reflecting her curiosity and motivation for working in multiple creative dimensions.


Education

2022-2026
Hong Kong Baptist University
Bachelor of Arts Science (Hons):

Arts and Technology


Skills

Blender 3D
Adobe Illustrator
Adobe Indesign
Adobe After Effect
Touchdesigner
Basic Python


Exhibitions

(upcoming) 2027..
2026 HKBU ARTT Grad Show 2026 @EKCC
2025 Tai Kwun Inner Glow Searchlight Programme 2025
2025 POSTAPALOOZA @Heath
2024 (E)Motion: Digital Possibilities @Shenzhen Art Museum
2023 COLORS-From Inner Self to Other Worlds @HKBU



Awards
Grantham Visual Art Awards (2021/2022)


Yield 讓渡
Mixed Media Installation
混合媒介裝置

Exhibited in ARTT Grad Show 2026 | 31.5—7.6
The Lab, East Kowloon Cultural Centre


Yield is a speculative design work that satirises the parenting culture of modern society. As more parents begin to treat child-rearing as a task to be managed and optimised, rather than a journey of genuine companionship and shared experience, the line between efficiency and intimacy grows increasingly blurred.
The work imagines an extreme version of this reality, repackaging the so-called "inefficiencies" of parenting into sellable products marketed directly to parents. Through an advertising video and an interactive virtual nanny, the audience is drawn into a world that feels both absurd and unsettlingly familiar.

Because this is not a vision of the future. It is already happening now.

讓渡是一個諷刺現代父母育兒態度的推測設計。越來越多父母將養育孩子視為一項需要管理與優化的任務，而非真正的陪伴與共同經歷。作品構想出一個極端世界，把育兒中的「低效」包裝成產品，再反銷給父母。透過廣告影片、產品宣傳冊及互動虛擬保姆，作品帶領觀眾進入這個看似荒誕的情境之中。而這並非對未來的虛構假設，卻是我們當下社會的普遍現象。
HKBU ARTT Grad Show 2026 Key Visual Graphic Design
Exhibited in ARTT Grad Show 2026 | 31.5—7.6 
The Lab, East Kowloon Cultural Centre

Ctrl+F “ ” is more than just a command for “Finding”, it also helps us retrace and confirm our direction. It mirrors the continual searching and exploration that shapes both our personal and creative lives. As the first
cohort of graduates from the Arts and Technology major at Hong Kong Baptist University, we have learned to shape our paths through exploration, building experience as we move through uncertainty. The thematic openness of this exhibition allows for a multiplicity of interpretations, inviting viewers to insert their own keywords and associations. Much like the journey through life, our goals are not always clear and answers are rarely definitive. Yet, through repeated searching and adjustment, new methods and rhythms come gradually. We invite you to join our discovery
for motivation and possibilities that come with the process of finding.


Ctrl+F 「 」 是一個「尋找」的指令，用以定位、回溯與確認方向。這不只是一個功能，更映照出每個人在生活中反覆搜尋、試驗與摸索目標的狀態。作為香港浸會大學藝術與科技的第一屆畢業生，我們在摸索中建立方向，也在不確定中累積經驗。展覽主題的留白，使不同的關鍵字得以被填入，讓尋找從個人的創作歷程延展為一個開放的觀看與詮釋空間。這像是普遍存在於人生旅途的過程，目標未必清晰、答案未必明朗。但每一次的搜尋和修正，方法與節奏逐漸形成。這次展覽希望邀請你在觀展的同時，感受「尋找」所帶來的動力與可能性。

NAutical


Application Design

Groupwork By
Water creatures builded by LEE Ching Ching Eunice ,
Unity application builded by LEE Ching Ching Eunice,
HUNG Ngai Fung, YANG Nga Yi.
The Core 3D modeling and application interface builded and designed by YEUNG Paak Yiu

.NAutical is an engaging and educational app that revolutionizes water quality monitiring by combining gamification, augmented reality (AR), and community engagement. Designed to simpify water testing, NAutical empowers citizens scientists to take an active role in safeguarding their local waterways.


NAutical 是一個有教育意義的應用程式，透過結合遊戲化、增強現實（AR）和社群參與，徹底改變了水質的水質綜合處理。 NAutical旨在簡化水測試，使公民科學家能夠在保護當地水道方面發揮積極作用。
The Rest Room.001
休息室.001

Interactive Installation
互動裝置

Groupwork By
CHENG Tsz Kiu Ariel
WAI Fun Yim
YANG Nga Yi
YEUNG Paak Yiu



In today’s fast-paced society,
life’s relentless tempo leaves us drained.
We retreat to the toilet, or restroom, seeking only that brief moment to breathe. In this ordinary, familiar yet confined space, we somehow manage to release stress and truly express ourselves without inhibition. Does this restroom break propel us forward, or mirror our already depleted selves?

現代社會節奏急促，令人疲鈍。
躲進廁所卻只求片刻喘息。
這個普遍且有限的空間中，
我們竟得以釋放壓力和各種情緒。
停頓——究竟是讓我們走得更遠，
還是反映早已疲憊不堪的狀態？









PAUSE
Magazine Layout Design



PAUSE  is a lifestyle magazine that explores the hidden tensions of modern rest. It reflects on how technology, expectations, and the desire for success frequently hinder our efforts to slow down. Each issue encourages readers to reconsider rest, not as an escape, but as a meaningful, bold act of existence.


PAUSE  是一本生活方式雜誌，探討了現代休息的隱藏緊張關係。它反映了技術、期望和對成功的渴望如何經常阻礙我們放慢腳步。 每期都鼓勵讀者重新考慮休息，不是作為一種逃避，而是作為一種有意義、大膽的存在行為。
InnerGlow Searchlight programme 2025
綻放大館:光雕繪本2025

Animation Projection Mapping

Groupwork By

Ho Lol Co. 

《好地道》
Animation: Cherry Sum @scwcherry_529
Maya Yang @yama.ya0 and
Yoyo Yeung@mixxbypy
Sound design: Chloe Wong @chloe_wong_919



“Ho Lol Co.” is a projection mapping project set at Tai Kwun, Hong Kong’s historic cultural landmark. The name, written as 好地道, refers both to a street (as in the animation’s first scene, modeled after a street sign), and phonetically hints at “very local,” with a playful nod to “LOL” and “Co.” as our team/company.
The project transforms Tai Kwun’s brick façade into a vibrant canvas inspired by retro pixel art games. Drawing from Hong Kong’s classic Cha Chaan Teng cafés, the animation depicts a typical day—from morning rush, lunch, tea time, to evening bustle—highlighting the lively and sometimes chaotic bustle of these beloved local eateries. The team members become playful game characters, taking on waitress and chef roles, with our HP bars humorously depleting with each shift.
Hidden among the pixel art scenes are clever visual references to Cha Chaan Teng slang, like “pretty girl” as congee, or “handsome guy” as rice, inviting the audience to spot and decipher these local jargons. Behind the kitchen, a food factory processes these codes into funny, literal meanings.
By merging tradition and modern digital art, “Ho Lol Co.” presents Tai Kwun as a place not only for history, but for fun, nostalgia, and the spirit of Hong Kong’s everyday life.


「好地道」是一個在香港大館舉辦的投影映射藝術項目動畫。動畫以「好地道」作為開場街名（靈感來自彌敦道等本地街名），同時諧音代表「very local」及「LOL」（搞笑）和「Co.」（即公司/我們團隊）。
我們將大館的紅磚外牆轉化成一幅復古像素遊戲畫布，引用香港茶餐廳的日常作為故事主線，動畫分為早、午、下午茶及晚市時段，每個時段展現茶餐廳熱鬧、節奏急速甚至有點混亂的生活縮影。我和三位組員分別化身像素風的侍應與廚師遊戲角色，HP條隨工作進度從高變低，增添趣味。
動畫中更隱藏了多個茶餐廳用語的視覺彩蛋，例如「靚女」= 白粥、「靚仔」= 白飯、「肥妹」= 熱朱古力等，邀請觀眾發現和破解這些本地術語，並在廚房後方展示食品加工廠如何將這些術語「轉化」成實物。
「好地道」結合本地文化、遊戲美學及創新技術，讓大館不只是歷史遺址，也是一場充滿新鮮感和港式生活氣息的藝術體驗。
Bloom
Kinetic Wearable


Exploring between wearables and nature.

This wearable artwork explores the concept of Symbiosis—imagining how the human form might coexist with an unfamiliar, growing organism. Conceived as a "second organ," the piece is not a passive external ornament but a living extension of the body that appears to gently parasitize the skin, moving and evolving in tandem with the wearer.

The structural language is heavily inspired by the abstract growth patterns of the Tillandsia (air plant). Just as the plant anchors itself with minimal contact to spiral and stretch freely, this work translates the tension between physical attachment and autonomous growth onto the human body. It sprouts from the wearer like a cluster of soft, living matter driven by its own quiet pulse.
Happy Labour Club.
快樂工作俱樂部

Graphic Design

Showcased at Heath @POSTAPALOOZA Happy Labour Club: your ticket to leaving work on time! Join the chaos. Subscribe now and unlock the mythical offer of actually finishing on schedule. Maybe you'll leave before sunset.


快樂工作俱樂部：你按時下班的門票！ 加入混亂。
立即訂閱，解鎖按計劃完成準時下班的神話般的機會。 也許你會在日落前離開。
Cantonese 101
粵語 101

Moving Narrative

 Cantonese 101 is a satirical video describing today's fraudulent phishing news. The video builds a relationship with the audience through phishing information, and then defrauds money through the website. Through the video to present the popularity of phishing news today, and hope to establish the audience's anti-fraud awareness through the video.

粵語 101 是一份描述現今詐騙釣魚訊息的諷刺影片。影片透過釣魚訊息和觀眾建立感情，再透過網站詐騙金錢透過影片呈現出現今釣魚訊息之流行、並希望透過影片建立觀眾的防騙意識。
Skywhisper Messenger

Interactive installation
互動裝置

Groupwork By
Sum Cheuk Wing
Lee Ching Ching Eunice
Yang Nga Yi
Yeung Paak Yiu



 Skywhisper Messenger is an interactive installation born from the belief that words of encouragement provide vital support during moments of frustration and confusion. Set in the virtual realm of “ShyWhisper City,” participants take on the role of pigeon messengers navigating a digital maze to deliver blessings to others. Upon completing the game, participants receive a physical card to author their own message. Whether offering hope to a stranger or extending grace to themselves, Skywhisper Messenger transforms a digital space into a continuous loop of shared empathy and collective support.






chaOtic reality
3D Animation


 One of the concepts that Vanitas expresses is that everything is meaningless in the face of death. Yet, I want to convey a space that is both real and illusory after death. I’ve created a surreal environment and aim to create a space that appears consistent with reality, but upon further observation, it deviates from the real world—a chaotic space. Some objects in the scene are recognizable from daily life, while others are virtual. The bubbles in the scene represent fleeting time. On the dining table, you’ll find items commonly seen in daily life, such as jelly and candles. People in this space may not realize they are already deceased. The skull placed on a plate adds an eerie touch. It serves as a reminder that this isn’t reality. As the animation concludes, the skull on the plate begins to dissolve and melt, leaving one to wonder whether what they saw was an illusion or reality. The books on the table also start flipping pages until the animation ends,symbolizing the ending of life. Additionally, there are a few virtual flowers in the scene. Two of them grow around the table and chair, the growth of the “flowers” contrasting with the skull and book on the dining table. These flowers will not be found in everyday life; their growth at the end represents nirvana(涅槃).